The Magic of the Cities.

Zen promotes the rediscovery of the obvious, which is so often lost in its familiarity and simplicity. It sees the miraculous in the common and magic in our everyday surroundings. When we are not rushed, and our minds are unclouded by conceptualizations, a veil will sometimes drop, introducing the viewer to a world unseen since childhood. ~ John Greer

Showing posts with label El Caballito. Show all posts
Showing posts with label El Caballito. Show all posts

Thursday, January 14, 2016

El Caballito


The equestrian statue of Charles IV of Spain (also known as El Caballito) is a bronze sculpture cast by Manuel Tolsá on August 4, 1802 in Mexico CityMexico in honour of King Charles IV of Spain, then the last ruler of the New Spain (later Mexico). This statue has been displayed in different points of the city and is considered one of the finest achievements of Mr. Tolsá. It now resides in Plaza Manuel Tolsá.


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Thanks for visiting, please be sure that I read each and every one of your kind comments, I appreciate them all. Stay tuned.

Friday, July 8, 2011

Moving Umbrella




Fri Jul 08, 2011
This week's challenge:
'Gloomy'.


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Thanks for visiting, please be sure that I read each and every one of your kind comments, I appreciate them all. Stay tuned.

Monday, March 15, 2010

El Caballito


The equestrian statue of Charles IV (also known as El Caballito) is a bronze sculpture cast by Manuel Tolsá in August 4, 1802 in Mexico City, Mexico in honour of Charles IV. This statue has been displayed in different points of the city and is considered one of the finest achievements of Mr. Tolsá. It now resides in Plaza Manuel Tolsá.

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New York City and Washington series continue in Sketches of Cities.
(Under construction)

Gracias por su visita. / Thanks for visiting, please be sure that I read each and every one of your kind comments and I appreciate them all. Stay tune.

Monday, August 10, 2009

Sebastian's Horse Head


Sebastian was born in Ciudad Camargo, Chihuahua, Mexico. He is not only an artist but also a man of science. His sculpture is visibly concerned with geometric forms and does not submit his geometries to logical symbols, but rather to poetic symbols. The sculpture of Sebastian, objects in space and defined by the plurality of objects in space, multiplies them and forces us to imagine a combination of proximities and distances, of comings and goings. Sebastian’s matter, his material, is steel, aluminum, cardboard, the industrial product bathed in colors closer to Bennetton that to Huejotzingo. One of Mexico's most prominent sculptors, Sebastian has placed some 150 monumental pieces in cities around the world, ranging from Buenos Aires and Osaka to New York City and Mexico City.

In the background, the winged building is one of the first skyscrapers in the Mexican capital, the “El Moro” building, 117 yards (107 m) height, which is one of the safest constructions in this seismic area, cemented over hydraulic jacks. This building, also known as Loteria Nacional, was inaugurated in 1945.

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Gracias por su visita. / Thanks for visiting, its most appreciated.


Apologies for not being very responsive lately due my work load. Please be sure that I read each and every one of your kind comments and I appreciate them all. Stay tune.

Sunday, April 13, 2008