Tuesday, November 3, 2009
Justice is Dead
Monday, November 2, 2009
Day of The Dead / El Día de los Muertos
Ver.2
Scholars trace the origins of the modern holiday to indigenous observances dating back thousands of years, and to an Aztec festival dedicated to a goddess called Mictecacihuatl.
Similar holidays are celebrated in many parts of the world; for example, it's a public holiday (Dia de Finados) in Brazil, where many Brazilians celebrate by visiting cemeteries and churches. In Spain, there are festivals and parades, and at the end of the day, people gather at cemeteries and pray for their loved ones who have died. Similar observances occur elsewhere in Europe and in the Philippines, and similarly-themed celebrations appear in many Asian and African cultures.
One of the worst forms of mental suffering is boredom, not knowing what to do with oneself and one's life. Even if man had no monetary, or any other reward, he would be eager to spend his energy in some meaningful way because he could not stand the boredom which inactivity produces.
- Erich Fromm
Sunday, November 1, 2009
Theme Day: Doorways
Bowery at Spring St in Chinatown. New York City
Abandoned house in the Pink Zone of the city
Palace of Fine Arts / Palacio de Bellas Artes
Click Here To View Thumbnails For All Participants
A warrior-hunter deals intimately with his world, and yet he is inaccessible to that same world. He taps it lightly, stays for as long as he needs to, and then swiftly moves away, leaving hardly a mark.
For an average man, the world is weird because if he's not bored with it, he's at odds with it. For a warrior, the world is weird because it is stupendous, awesome, mysterious, unfathomable. A warrior must assume responsibility for being here, in this marvelous world, in this marvelous time.
A warrior must learn to make every act count, since he is going to be here in this world for only a short while, in fact, too short for witnessing all the marvels of it.
Acts have power. Especially when the warrior acting knows that those acts are his last battle. There is a strange consuming happiness in acting with the full knowledge that whatever he is doing may very well be his last act on earth.
A warrior must focus his attention on the link between himself and his death. Without remorse or sadness or worrying, he must focus his attention on the fact that he does not have time and let his acts flow accordingly. He must let each of his acts be his last battle on earth. Only under those conditions will his acts have their rightful power.
Otherwise they will be for as long as he lives, the acts of a fool.
Carlos Castaneda.
Happy Halloween!
music+image
New York City and Washington series continue in Sketches of Cities.
Gracias por su visita. / Thanks for visiting, please be sure that I read each and every one of your kind comments and I appreciate them all. Stay tune.
Abandoned house in the Pink Zone of the city
Palace of Fine Arts / Palacio de Bellas Artes
For an average man, the world is weird because if he's not bored with it, he's at odds with it. For a warrior, the world is weird because it is stupendous, awesome, mysterious, unfathomable. A warrior must assume responsibility for being here, in this marvelous world, in this marvelous time.
A warrior must learn to make every act count, since he is going to be here in this world for only a short while, in fact, too short for witnessing all the marvels of it.
Acts have power. Especially when the warrior acting knows that those acts are his last battle. There is a strange consuming happiness in acting with the full knowledge that whatever he is doing may very well be his last act on earth.
A warrior must focus his attention on the link between himself and his death. Without remorse or sadness or worrying, he must focus his attention on the fact that he does not have time and let his acts flow accordingly. He must let each of his acts be his last battle on earth. Only under those conditions will his acts have their rightful power.
Otherwise they will be for as long as he lives, the acts of a fool.
Carlos Castaneda.
Saturday, October 31, 2009
Underworld
Xochicalco is a pre-Columbian archaeological site in the western part of the Mexican state of Morelos. The name Xochicalco may be translated from Nahuatl as "in the (place of the) house of Flowers". The site is located 38 km southwest of Cuernavaca, about 76 miles by road from Mexico City. The site is open to visitors all week, from 10am to 5pm, although access to the observatory is only allowed after noon. The apogee of Xochicalco came after the fall of Teotihuacan and it has been speculated that Xochicalco may have played a part in the fall of the Teotihuacan empire.
The architecture and iconography of Xochicalco show affinities with Teotihuacan, the Maya area, and the Matlatzinca culture of the Toluca Valley.
The main ceremonial center is atop an artificially leveled hill, with remains of residential structures, mostly unexcavated, on long terraces covering the slopes. The site was first occupied by 200 BC, but did not develop into an urban center until the Epiclassic period (A.D. 700 - 900). Nearly all the standing architecture at the site was built at this time. At its peak, the city may have had a population of up to 20,000 people.
Of special interest are sculptured reliefs on the sides of some buildings. The Temple of the Feathered Serpent has fine stylized depictions of that deity in a style which includes apparent influences of Teotihuacan and Maya art. It has been speculated that Xochicalco may have had a community of artists from other parts of Mesoamerica.
Other monuments at the site include several other step-pyramid temples, palaces, three ballcourts, sweat-baths, an unusual row of circular altars, and a cave with steps carved down into it. The site also has some free-standing sculptured stelae; others were removed from their original location and are now on display in the INAH museum in Mexico City and at the site museum.
At some point around A.D. 900 the city of Xochicalco was burned and destroyed. Many of the excavated houses and temples have layers of burning and destruction that cover the deposits from the main Epiclassic occupation. Underneath destruction layers, numerous objects were left in place in the houses, indicating that the site was destroyed and abandoned quickly. A small remnant population lived on, however, on the lower slopes of the hill. Later, around A.D. 1200, the site was recolonized by the Nahuatl-speaking Tlahuica peoples, ancestors to the Nahuatl-speaking populations of the modern state of Morelos.
Xochicalco is a UNESCO World Heritage Site and a tourist destination. The site also has a well-stocked museum, designed by noted Mexican architect Roland Dada. [Wiki]
Friday, October 30, 2009
Theatre of The Absurd / Teatro del Absurdo
By Sara Miller Llana | Staff writer 10.29.09
Los Tigres del Norte sing of censorship, bail on Mexican award.
Los Tigres del Norte, a popular Mexican band, canceled an appearance on the Luna Awards TV show in Mexico Wednesday. The Mexican government denied any censorship of the band.
MEXICO CITY - Politicians say that narcocorridos, the songs which extol the exploits of drug traffickers, must go. But these ballads appeal to a significant audience.
Caught in the middle are the Mexican musicians themselves, who say their art merely chronicles of the political and business interests that fuel the drug trade and wreak havoc on the streets.
In the most recent standoff, the popular “norteño” band Los Tigres del Norte canceled an appearance at an awards show in Mexico for alleged “censorship.” Universal Music, the Tigres’ record label, said that the government-owned National Auditorium in Mexico City asked them not to play their narcocorrido hit “La Granja” during Las Lunas Awards ceremony Wednesday night. In protest, Los Tigres bailed out.
La Granja, which translate as “The Farm,” seems to take aim at the military-led war against drug trafficking, which has unleashed violence between rival drug traffickers (see our briefing on the key cartels and the Mexican government campaign against them) and taken a livelihood away from many would-be marijuana growers and dealers.
The lyrics, translated by the Los Angeles Times, go like this:
Today we have, every day
Much insecurity
Because they let the dog loose
And it all came tumbling down . . . .
El Economista
Vicente Gutiérrez Created 28/10/2009.
"La Granja" dice la verdad: Tigres del Norte
Su tema ha sido censurado.
Con una fábula, Los Tigres del Norte critican a los políticos, los banqueros, al expresidente Vicente Fox, la inseguridad y la pobreza en México.
“Si alguien la prohíbe es porque dice la verdad y llama la atención. Nuestro trabajo es denunciar todo lo que vemos a través de nuestra música”, dijo Jorge Hernández, líder del grupo.
En el tema (y el vídeo animado) aparecen banqueros millonarios y Vicente Fox representados como marranos, un zorro y el pueblo.
“México tiene muchos problemas, uno de ellos es la crisis económica y otro la violencia. Pero lo peor es que en el país los políticos no se ponen de acuerdo en nada. Un día se aprueban los impuestos y al otro no... hay mucha confusión y eso daña al pueblo, que lo soporta todo”, explicó Hernán Hernández.
Los Tigres del Norte han denunciado problemas en sus canciones, pero... ¿ha servido de algo?
“Sí, claro. Nos lo dice la gente y lo vemos cuando usan la música en manifestaciones o cuando las censuran”, comentó Jorge Hernández.
“Fe, esperanza y alegría es lo que hemos llevado al pueblo con nuestra música y mientras siga habiendo problemas e injusticias... Los Tigres del Norte seguiremos cantando”, dijo Jorge Hernández.
El Universal
Ciudad de México Miércoles 28 de octubre de 2009
Jorge Hernández, cantante y líder de Los Tigres del Norte, reconoció que el hecho de censurar un tema no ayuda a mejorar la situación del país: "Si ese fuera el remedio para solucionar todo lo que tratamos en nuestras canciones, que las cancelen todas".
Comentó que la decisión, tomada tras una reunión con representantes de su casa discográfica, de no presentarse en la ceremonia de entrega de las Lunas del Auditorio Nacional, se debe a una recomendación emitida por parte de la Secretaría de Gobernación.
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