The Magic of the Cities.

Zen promotes the rediscovery of the obvious, which is so often lost in its familiarity and simplicity. It sees the miraculous in the common and magic in our everyday surroundings. When we are not rushed, and our minds are unclouded by conceptualizations, a veil will sometimes drop, introducing the viewer to a world unseen since childhood. ~ John Greer

Wednesday, April 28, 2010

Spring Tones

Ver. 0


King Crimson – Cadence and Cascade  (Lyrics)

Cadence and cascade
Kept a man named jade;
Cool in the shade
While his audience played.
Purred, whispered, spend us too:
We only serve for you.

Sliding mystified
On the wine of the tide
Stared pale-eyed
As his veil fell aside.
Sad paper courtesan
They found him just a man.

Caravan hotel
Where the sequin spell fell
Custom of the game.
Cadence oiled in love
Licked his velvet gloved hand
Cascade kissed his name.

Sad paper courtesan
They knew him just a man.


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New York City and Washington series continue in Sketches of Cities. 
(At Least Once A Week)

Gracias por su visita. / Thanks for visiting, please be sure that I read each and every one of your kind comments and I appreciate them all. Stay tune.

Tuesday, April 27, 2010

Tlaloc

Tlaloc, God of rain, fertility and water.


Tlaloc was an important deity in Aztec religion. He was a beneficent god who gave life and sustenance, but he was also feared for his ability to send hail, thunder and lightning, and for being the lord of the powerful element of water. In Aztec iconography he is normally depicted with goggle eyes and fangs. He was associated with caves, springs and mountains.
  
In Aztec cosmology, the four corners of the universe are marked by "The Four Tlalocs" which both hold up the sky and functions as the frame for the passing of time. Tlaloc was the patron of the Calendar day Mazatl and of the trecena of Ce Quiyahuitl (1 Rain). In Aztec mythology, Tlaloc was the lord of the third sun, which was destroyed by fire.
  
In the Aztec capital Tenochtitlan, one of the two shrines on top of the Great Temple was dedicated to Tlaloc. The High Priest who was in charge of the Tlaloc shrine was called "Quetzalcoatl Tlaloc Tlamacazqui". However the most important site of worship to Tlaloc was on the peak of Mount Tlaloc, a 4100 metres high mountain on the eastern rim of the Valley of Mexico. Here the Aztec ruler came and conducted important ceremonies once a year, and throughout the year pilgrims offered precious stones and figures at the shrine.
  

In Coatlinchan a colossal statue weighing 168 tons was found that was thought to represent Tlaloc. Some scholars believe that the statue may not have been Tlaloc at all but his sister or some other female deity. This statue was relocated to the National Museum of Anthropology in Mexico City in 1964. [Wiki]


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New York City and Washington series continue in Sketches of Cities. 
(At Least Once A Week)
Gracias por su visita. / Thanks for visiting, please be sure that I read each and every one of your kind comments and I appreciate them all. Stay tune.

Monday, April 26, 2010

Park in The Rock or Rock in The Park




Rock at Luis Cabrera Square
(Rock en La Roma)



music+image
New York City and Washington series continue in Sketches of Cities. 
(At Least Once A Week)
Gracias por su visita. / Thanks for visiting, please be sure that I read each and every one of your kind comments and I appreciate them all. Stay tune.

Saturday, April 24, 2010

Flashback

The Flatiron Building

The Flatiron Building, or Fuller Building as it was originally called, is located at 175 Fifth Avenue in the borough of Manhattan, and is considered to be one of the first skyscrapers ever built. Upon completion in 1902 it was one of the tallest buildings in New York City. The building sits on a triangular island block at 23rd street, Fifth Avenue, and Broadway anchoring the south (downtown) end of Madison Square.

The Flatiron Building was designed by Chicago's Daniel Burnham as a vertical Renaissance palazzo with Beaux-Arts styling. Unlike New York's early skyscrapers, which took the form of towers arising from a lower, blockier mass, such as the contemporary Singer Building (1902–1908), the Flatiron Building epitomizes the Chicago school conception: like a classical Greek column, its limestone and glazed terra-cotta façade is divided into a base, shaft and capital. [Wiki]
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Friday, April 23, 2010