The Magic of the Cities.

Zen promotes the rediscovery of the obvious, which is so often lost in its familiarity and simplicity. It sees the miraculous in the common and magic in our everyday surroundings. When we are not rushed, and our minds are unclouded by conceptualizations, a veil will sometimes drop, introducing the viewer to a world unseen since childhood. ~ John Greer

Thursday, August 12, 2010

The Dreamers

Musée du Louvre
The Winged Victory of Samothrace C. 190 BC Provenance: Island of Samothrace (northern Aegean)
Grey Lartos marble (boat); Parian marble (statue)
H. 3.28 m
The ancient Greeks had the delightful idea of representing Victory as a young woman with wings, an image given particularly awe-inspring form in the “Winged Victory of Samothrace”.
 

Aphrodite, known as the "Venus de Milo"This graceful statue of a goddess has intrigued and fascinated since its discovery on the island of Melos in 1820. Is it Aphrodite, who was often portrayed half-naked, or the sea goddess Amphitrite, who was venerated on Milo? The statue reflects sculptural research during the late Hellenistic Period: classical in essence, with innovatory features such as the spiral composition, the positioning in space, and the fall of the drapery over the hips.
Hermaphroditos Asleep
The ambivalence and voluptuous curves of this figure of Hermaphroditos, who lies asleep on a mattress sculpted by Bernini, are still a source of fascination today. His body merged with that of the nymph Salmacis, whose advances he had rejected, Hermaphroditos, son of Hermes and Aphrodite, is represented as a bisexed figure. The original that inspired this figure would have dated from the second century BC, reflecting the late Hellenistic taste for the theatrical.
Bacchus
Roman, Imperial.  2nd Century AD
Portrait d'Antinoüs en Osiris
130 ap. .J.-C.
Potrait of man from the time of Emperor Claude
40-44 ap. J.-C.

Sorry,  just a few more of the Louvre and I'll continue with posts from Mexico City, although I have more than 60 days not to touch a camera for lack of time. And thanks a lot for your kind visits.
Vienna, Eisenstadt, Venice, Firenze and Rome series try to continue in Sketches of Cities. 
 (At least one or two a week)
Gracias por su visita. / Thanks for visiting, please be sure that I read each and every one of your kind comments and I appreciate them all.

Tuesday, August 10, 2010

Hermes

Hermès tying his sandal. Roman II Century BC
















Musée du Louvre
The work of the bronze sculptor Lysippus, a contemporary of Praxiteles and official portraitist to Alexander the Great, focused above all on the male body. A very large number of works are attributed to his workshop.
The image of Hermes tying his sandal while listening to the orders of his father, Zeus, is characteristic of Lysippus's artistic endeavors. It should be remembered, however, that the head, which comes from another copy of the same work, is too small here, and that the incongruous supporting tree trunk under the thigh was added by the Roman copyist when he transposed the bronze original into marble.
Lysippus reworked Polyclitus's canon by lengthening it. The proportions are freer, the head now an eighth of the total height of the body and the muscle structure more slender - except, of course, in the statue of Heracles to your right. The artist sought in addition to situate the figure in a space that was also that of the observer, with a play of light and shade.
















music+image
New York, Washington, Paris, Vienna, Eisenstadt, Venice, Firenze and Rome series try to continue in Sketches of Cities. (At Least Once A Week)
Gracias por su visita. / Thanks for visiting, please be sure that I read each and every one of your kind comments and I appreciate them all.

Friday, August 6, 2010

Bacchante

Bacchante shadow
(a priestess or female votary of Bacchus)









Musée du Louvre
Bacchante ou Ariane 
Rome 2nd Century BC














music+image
New York, Washington, Paris, Vienna, Eisenstadt, Venice, Firenze and Rome series try to continue in Sketches of Cities. 
 (At Least Once A Week)
Gracias por su visita. / Thanks for visiting, please be sure that I read each and every one of your kind comments and I appreciate them all.

Thursday, August 5, 2010

Curiosites Desirables

1969
curiosites desirables
- shop window sign:
Le Rabbit un ami qui vous veut du bien.
(The Rabbit a friend who loves you well)
Out of the blue
- refreshing in one of the Louvre pools-
music+image
New York, Washington, Paris, Vienna, Eisenstadt, Venice, Firenze and Rome series try to continue in Sketches of Cities. 
 (At Least Once A Week)
Gracias por su visita. / Thanks for visiting, please be sure that I read each and every one of your kind comments and I appreciate them all.

Tuesday, August 3, 2010

The Surrounds of Louvre

The Cellist

L'Arc du Carrousel
The Arc de Triomphe du Carrousel is at the eastern end of the so-called Axe historique ("grand historic axis") of Paris, a nine-kilometre-long linear route which dominates much of the northwestern quadrant of the city. It is, in effect, the backbone of the Right Bank.
Looking west, the arch is perfectly aligned with the obelisk in the Place de la Concorde, the centerline of the grand boulevard Champs-Élysées, the Arc de Triomphe at the Place de l'Étoile, and, although it is not directly visible from the Place du Carrousel, the Grande Arche de la Défense. Thus, the axis begins and ends with an arch. When the Arc du Carrousel was built, however, an observer in the Place du Carrousel was impeded from any view westward. The central block of the Palais des Tuileries intervened to block the line of sight to the west. When the Tuileries was burned down during the Paris Commune (1871) and its ruins were swept away, the great axis, as it presently exists, was opened all the way to the Place du Carrousel and the Louvre.


music+image
New York, Washington, Paris, Vienna, Eisenstadt, Venice, Firenze and Rome series try to continue in Sketches of Cities. (At Least Once A Week)
Gracias por su visita. / Thanks for visiting, please be sure that I read each and every one of your kind comments and I appreciate them all.