The Magic of the Cities.

Zen promotes the rediscovery of the obvious, which is so often lost in its familiarity and simplicity. It sees the miraculous in the common and magic in our everyday surroundings. When we are not rushed, and our minds are unclouded by conceptualizations, a veil will sometimes drop, introducing the viewer to a world unseen since childhood. ~ John Greer

Saturday, October 31, 2009

Underworld


Temple of The Feathered Serpent
Xochicalco is a pre-Columbian archaeological site in the western part of the Mexican state of Morelos. The name Xochicalco may be translated from Nahuatl as "in the (place of the) house of Flowers". The site is located 38 km southwest of Cuernavaca, about 76 miles by road from Mexico City. The site is open to visitors all week, from 10am to 5pm, although access to the observatory is only allowed after noon. The apogee of Xochicalco came after the fall of Teotihuacan and it has been speculated that Xochicalco may have played a part in the fall of the Teotihuacan empire.

The architecture and iconography of Xochicalco show affinities with Teotihuacan, the Maya area, and the Matlatzinca culture of the Toluca Valley.
The main ceremonial center is atop an artificially leveled hill, with remains of residential structures, mostly unexcavated, on long terraces covering the slopes. The site was first occupied by 200 BC, but did not develop into an urban center until the Epiclassic period (A.D. 700 - 900). Nearly all the standing architecture at the site was built at this time. At its peak, the city may have had a population of up to 20,000 people.

Of special interest are sculptured reliefs on the sides of some buildings. The Temple of the Feathered Serpent has fine stylized depictions of that deity in a style which includes apparent influences of Teotihuacan and Maya art. It has been speculated that Xochicalco may have had a community of artists from other parts of Mesoamerica.

Other monuments at the site include several other step-pyramid temples, palaces, three ballcourts, sweat-baths, an unusual row of circular altars, and a cave with steps carved down into it. The site also has some free-standing sculptured stelae; others were removed from their original location and are now on display in the INAH museum in Mexico City and at the site museum.

At some point around A.D. 900 the city of Xochicalco was burned and destroyed. Many of the excavated houses and temples have layers of burning and destruction that cover the deposits from the main Epiclassic occupation. Underneath destruction layers, numerous objects were left in place in the houses, indicating that the site was destroyed and abandoned quickly. A small remnant population lived on, however, on the lower slopes of the hill. Later, around A.D. 1200, the site was recolonized by the Nahuatl-speaking Tlahuica peoples, ancestors to the Nahuatl-speaking populations of the modern state of Morelos.

Xochicalco is a UNESCO World Heritage Site and a tourist destination. The site also has a well-stocked museum, designed by noted Mexican architect Roland Dada. [Wiki]

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New York City and Washington series continue in Sketches of Cities.

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Friday, October 30, 2009

Theatre of The Absurd / Teatro del Absurdo


The Christian Science Monitor
By Sara Miller Llana | Staff writer 10.29.09
Los Tigres del Norte sing of censorship, bail on Mexican award.
Los Tigres del Norte, a popular Mexican band, canceled an appearance on the Luna Awards TV show in Mexico Wednesday. The Mexican government denied any censorship of the band.
MEXICO CITY - Politicians say that narcocorridos, the songs which extol the exploits of drug traffickers, must go. But these ballads appeal to a significant audience.
Caught in the middle are the Mexican musicians themselves, who say their art merely chronicles of the political and business interests that fuel the drug trade and wreak havoc on the streets.
In the most recent standoff, the popular “norteño” band Los Tigres del Norte canceled an appearance at an awards show in Mexico for alleged “censorship.” Universal Music, the Tigres’ record label, said that the government-owned National Auditorium in Mexico City asked them not to play their narcocorrido hit “La Granja” during Las Lunas Awards ceremony Wednesday night. In protest, Los Tigres bailed out.
La Granja, which translate as “The Farm,” seems to take aim at the military-led war against drug trafficking, which has unleashed violence between rival drug traffickers (see our briefing on the key cartels and the Mexican government campaign against them) and taken a livelihood away from many would-be marijuana growers and dealers.
The lyrics, translated by the Los Angeles Times, go like this:
Today we have, every day
Much insecurity
Because they let the dog loose
And it all came tumbling down . . . .

El Economista

Vicente Gutiérrez Created 28/10/2009.

"La Granja" dice la verdad: Tigres del Norte
Su tema ha sido censurado.

Con una fábula, Los Tigres del Norte critican a los políticos, los banqueros, al expresidente Vicente Fox, la inseguridad y la pobreza en México.
“Si alguien la prohíbe es porque dice la verdad y llama la atención. Nuestro trabajo es denunciar todo lo que vemos a través de nuestra música”, dijo Jorge Hernández, líder del grupo.
En el tema (y el vídeo animado) aparecen banqueros millonarios y Vicente Fox representados como marranos, un zorro y el pueblo.
“México tiene muchos problemas, uno de ellos es la crisis económica y otro la violencia. Pero lo peor es que en el país los políticos no se ponen de acuerdo en nada. Un día se aprueban los impuestos y al otro no... hay mucha confusión y eso daña al pueblo, que lo soporta todo”, explicó Hernán Hernández.
Los Tigres del Norte han denunciado problemas en sus canciones, pero... ¿ha servido de algo?
“Sí, claro. Nos lo dice la gente y lo vemos cuando usan la música en manifestaciones o cuando las censuran”, comentó Jorge Hernández.
“Fe, esperanza y alegría es lo que hemos llevado al pueblo con nuestra música y mientras siga habiendo problemas e injusticias... Los Tigres del Norte seguiremos cantando”, dijo Jorge Hernández.

El Universal
Ciudad de México Miércoles 28 de octubre de 2009
Jorge Hernández, cantante y líder de Los Tigres del Norte, reconoció que el hecho de censurar un tema no ayuda a mejorar la situación del país: "Si ese fuera el remedio para solucionar todo lo que tratamos en nuestras canciones, que las cancelen todas".
Comentó que la decisión, tomada tras una reunión con representantes de su casa discográfica, de no presentarse en la ceremonia de entrega de las Lunas del Auditorio Nacional, se debe a una recomendación emitida por parte de la Secretaría de Gobernación.

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New York City and Washington series continue in Sketches of Cities.

Gracias por su visita. / Thanks for visiting, please be sure that I read each and every one of your kind comments and I appreciate them all. Stay tune.

Thursday, October 29, 2009

Portraits in almost B&W






Vide Cor Meum
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New York City and Washington series continue in Sketches of Cities.

Gracias por su visita. / Thanks for visiting, please be sure that I read each and every one of your kind comments and I appreciate them all. Stay tune.

Wednesday, October 28, 2009

V


Trying to catch the transit authority in action, suddenly appear this friendly hand in middle of the chaos.

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New York City and Washington series continue in Sketches of Cities.

Gracias por su visita. / Thanks for visiting, please be sure that I read each and every one of your kind comments and I appreciate them all. Stay tune.

Tuesday, October 27, 2009

Sunday Walk


Caminata de Domingo 1999 de Leonora Carrington
Sunday Walk (painting) by Leonora Carrington 1999.

Leonora Carrington, one of Britain's finest - and neglected – surrealists.
Her importance, lies partly in that she - along with artists such as Leonor Fini and Remedios Varo - opened up a new, and more female, strand of surrealism: in Mexico, Leonora and Varo dabbled in alchemy and the occult, and the work of both was rooted for a time in the magical and domestic elements of women's lives. "One of the extraordinary aspects of Leonora's work is how she draws on so many different inspirations, from the Celtic legends she learned from her nanny, through the constraints of her upper-class upbringing, to the surrealism of Paris in the 1930s - and then to the magic of Mexico," "Her work is evocative of so many things, and it's enormously complex: she hasn't had a massive output because her technique is so meticulous and the work so detailed. She certainly wasn't a Picasso who could churn out several pictures a day; her work would take many months, even years."

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New York City and Washington series continue in Sketches of Cities.

Gracias por su visita. / Thanks for visiting, please be sure that I read each and every one of your kind comments and I appreciate them all. Stay tune.