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| Diana Artemis was one of the most widely venerated of the Ancient Greek deities. Her Roman equivalent is Diana. Some scholars believe that the name, and indeed the goddess herself, was originally pre-Greek. Homer refers to her as Artemis Agrotera, Potnia Theron "Artemis of the wildland, Mistress of Animals". In the classical period of Greek mythology, Artemis was often described as the daughter of Zeus and Leto, and the twin sister of Apollo. She was the Hellenic goddess of the hunt, wild animals, wilderness, childbirth, virginity and young girls, bringing and relieving disease in women; she often was depicted as a huntress carrying a bow and arrows. The deer and the cypress were sacred to her. In later Hellenistic times, she even assumed the ancient role of Eileithyia in aiding childbirth. |
Wednesday, October 5, 2011
Monday, October 3, 2011
Ripples
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| Stones in The Pond |
Saturday, October 1, 2011
Octuber 2011 Theme Day: Mystery Object
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| The Eisenstadt Sphere Oedenburger Str. 2 As photographers, we must focus on the details of life and bypass the generalities. There is a saying in Zen: examine the living words and not the dead ones. We must open a direct line to reality, unclouded by the dust of the past - see Eden before the expulsion. Our challenge is to see the living fact - to become intimate with life. John Greer. Artist's Statement (Fragment) |
Thursday, September 29, 2011
The Cloisters III
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The Unselfconscious Process
One of the most confusing and paradoxical aspects of Zen is its view of the self. Zen says we aren't who we think we are. While we are seen to exist in the relative sense, in terms of the absolute, the dance and the dancer are considered to be one. Many spiritual traditions have seen similar truths, and claim that by losing one's life, life is indeed gained. By emptying we become full. While no doubt confusing for the novice, its implication for the photographer would be to forget oneself, as much as possible, when taking pictures. This, in fact, is a very common experience among musicians and painters, who often report "losing themselves" in their art. In a sense, the picture takes itself. In the words of Henri Cartier-Bresson, "you have to blend in like a fish in water, you have to forget yourself." The artist becomes the process of creation. When something bigger than the persona takes charge, when Life itself is given free reign unhampered by our premeditated ideas of what should happen, the resultant pictures can be quite remarkable.
John Greer. Artist's Statement (Fragment)
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Wednesday, September 28, 2011
The Cloisters II
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| Head, perhaps an Angel. Limestone. France. Île-de-France, about 1250. |
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| Altar Frontal. Catalunya, Spain. ca. 1225 |
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