The Magic of the Cities.

Zen promotes the rediscovery of the obvious, which is so often lost in its familiarity and simplicity. It sees the miraculous in the common and magic in our everyday surroundings. When we are not rushed, and our minds are unclouded by conceptualizations, a veil will sometimes drop, introducing the viewer to a world unseen since childhood. ~ John Greer

Showing posts with label Mexico City. Show all posts
Showing posts with label Mexico City. Show all posts

Wednesday, August 24, 2011

Sudden Moments






















but which, if you will sit down quietly, may alight upon you.”
~Nathaniel Hawthorne


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Thanks for visiting, please be sure that I read each and every one of your kind comments, I appreciate them all. Stay tuned.

Tuesday, August 24, 2010

Heroes

Heroes of the past crying for the present.

El Ángel de la Independencia ("The Angel of Independence"), most commonly known by the shortened name El Ángel and officially known as Columna de la Independencia, is a victory column located on a roundabout over Paseo de la Reforma in downtownMexico City.
El Ángel was built to commemorate the centennial of the beginning of Mexico's War of Independence, celebrated in 1910. In later years it was made into a mausoleum for the most important heroes of that war. It is one of the most recognizable landmarks in Mexico City, and it has become a focal point for both celebration or protest. It bears a resemblance to the July Column in Paris and the Victory Column in Berlin.
Construction of El Ángel was ordered in 1902 by President Porfirio Díaz. Architect Antonio Rivas Mercado was in charge of the design of the monument, while the actual construction was supervised by Mexican engineers Gonzalo Garita and Manuel Gorozpe. All the sculptures were made byItalian artist Enrique Alciati. The monument was ready for the festivities to commemorate the first hundred years of Mexican Independence in 1910. The opening ceremony was attended by President Díaz and several foreign dignitaries. The main speaker at the event was Mexican poet Salvador Díaz Mirón.

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New York, Washington, Paris, Vienna, Eisenstadt, Venice, Firenze and Rome series try to continue in Sketches of Cities. 
 (At Least Once A Week)
Gracias por su visita. / Thanks for visiting, please be sure that I read each and every one of your kind comments and I appreciate them all.

Saturday, September 5, 2009

Zooming Series 5/7

HorsePlusLovers

Happy Sunday, tomorrow Washington!

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Gracias por su visita. / Thanks for visiting, its most appreciated.

Saturday, April 12, 2008

View from Castle of Chapultepec


The Castillo de Chapultepec (translated as "Castle of Chapultepec") is a castle built on top of Chapultepec Hill (Chapultepec comes from Náhuatl chapoltepēc and means "at the grasshopper hill"), located in the middle of Chapultepec Park in Mexico City at a height of 2,325 meters above sea level. The building has been used for several purposes during its history, including Military Academy, Imperial and Presidential residence, observatory and museum. It currently houses the Mexican National Museum of History. It is the only castle in North America that was occupied by French sovereigns. [ Wiki ]

Gracias por su visita / Thanks for visiting.

Wednesday, October 31, 2007

Blue


The Colour Blue.
There are currently 118 Blogs participating in this theme day:

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Gracias por su visita / Thanks for visiting.

Friday, October 26, 2007

Tambo Parade


Tambo Parade En Paseo De La Reforma 25 Y 26 De Octubre.
· Obras de graffiti en armonía con una de las avenidas más atractivas de la Ciudad de México.

· Son tambos de 200 litros decorados que se exhibirán en el espacio urbano del DF.
Por primera vez en la Ciudad de México se expondrán sobre Paseo de la Reforma los tambos finalistas del Concurso de Tambo Parade, organizado por el Instituto de la Juventud del DF y realizado el pasado 13 de octubre.
Durante este Concurso participaron 75 jóvenes, quienes decoraron con graffiti tambos de 200 litros. Ahora, como segunda parte del proyecto 18 de estos trabajos finalistas se exponen durante este jueves 25 y viernes 26 sobre Paseo de la Reforma en el cruce con la Avenida de los Insurgentes Centro.


Tambo Parade

An exhibition of painted (Graffiti) Oil drums of 200 liters, winers of a contest, only for 2 days, 25 & 26.


Gracias por su visita / Thanks for visiting.

Sunday, October 21, 2007

Chinelo


Figure of a Chinelo Dancer as part of an offering for the 'Day of the Dead' placed in an hospital.



In the Mexican capital, death is intellectualized in museums and galleries, it dresses up for a night gala in five stars hotels, and yet easily maintains it’s provincial air in humble neighborhoods.
Bread of the Dead because of the extension of the City, one must visit the Capital for at least two continuous years during the season of Day of the Dead, to have a more profound vision of the changes that take place in it’s inhabitants when they start preparing to celebrate this tradition, so closely tied to the soul of Mexicans.
To be born and to die is one of the dualities faced by human beings and everything that exists. This duality is the key to the Mexican idiosyncrasy, manifested in the pre-Cortez epoch and routed among the centuries in a mix of pre-Hispanic and religious beliefs, of humor and mysticism, of sadness and joy.
Altar Museum Estudio Diego Rivera like the small towns of the provinces, the majority of the residents in Mexico City prepare with anticipation to celebrate with dignity the return of the souls of the dead. In the Capital the offerings are placed in museums and galleries entrusting the work to artists that interpret different subjects or motives, in creating truly artistic designs to later expose them to an array of aromas and colors in which the flower of the season – the cempasuchitl – is the prevailing one.
It is difficult to calculate the amount of craftsmanship that is sold at different prices in Mexico City; this shows that the industry that generates the Day of the Dead is one of the most important affecting the year’s economy of the city, and at the same time demonstrates that this tradition is more alive than ever.
Paper mache calaca in what corresponds to the festive activity, besides eating the chocolate and sugar skeletons with one’s name on it, children, even adults buy toys with images of an enthusiastic skeleton made of paper mache, and jointed skeletons which dance when you pull on a string. Very few stay away from the funeral procession consisting of paper dolls with heads made of garbanzo, which move by the means of a thread, making the head come out of the coffin. The craftsman takes advantage of the opportunity to write special messages on the coffin.
Names of the members of the Linares family represent with their work what the Day of the Dead is in Mexico. The paper mache skeletons which they exhibit annually are a tradition already established in October and November of each year.

From the bilingual book “Through the Eyes of the Soul Day of the Dead In Mexico - Mexico City, Mixquic and Morelos”. For information of books about this tradition, written by Mary J. Andrade, visit www.dayofthedead.com




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