The Magic of the Cities.

Zen promotes the rediscovery of the obvious, which is so often lost in its familiarity and simplicity. It sees the miraculous in the common and magic in our everyday surroundings. When we are not rushed, and our minds are unclouded by conceptualizations, a veil will sometimes drop, introducing the viewer to a world unseen since childhood. ~ John Greer

Showing posts with label Offerings. Show all posts
Showing posts with label Offerings. Show all posts

Monday, November 4, 2013

Day of The Dead II

Offering at Paseo de los Poetas. Chapultepec Park. México City
In the Mexican capital, death is intellectualized in museums and galleries, it dresses up for a night gala in five stars hotels, and yet easily maintains it’s provincial air in humble neighborhoods.
Bread of the Dead because of the extension of the City, one must visit the Capital for at least two continuous years during the season of Day of the Dead, to have a more profound vision of the changes that take place in it’s inhabitants when they start preparing to celebrate this tradition, so closely tied to the soul of Mexicans.
To be born and to die is one of the dualities faced by human beings and everything that exists. This duality is the key to the Mexican idiosyncrasy, manifested in the pre-Cortez epoch and routed among the centuries in a mix of pre-Hispanic and religious beliefs, of humor and mysticism, of sadness and joy.
From the bilingual book “Through the Eyes of the Soul Day of the Dead In Mexico - Mexico City, Mixquic and Morelos”, written by Mary J. Andrade.

Urban Flower

Link to Macro Monday 2

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Sunday, November 4, 2012

Day of The Dead in Mexico City











Todo el año es día de muertos en México /  All year is Day of the Dead in Mexico

Offerings
In the Mexican capital, death is intellectualized in museums and galleries, it dresses up for a night gala in five stars hotels, and yet easily maintains it’s provincial air in humble neighborhoods.
Bread of the Dead because of the extension of the City, one must visit the Capital for at least two continuous years during the season of Day of the Dead, to have a more profound vision of the changes that take place in it’s inhabitants when they start preparing to celebrate this tradition, so closely tied to the soul of Mexicans.
To be born and to die is one of the dualities faced by human beings and everything that exists. This duality is the key to the Mexican idiosyncrasy, manifested in the pre-Cortez epoch and routed among the centuries in a mix of pre-Hispanic and religious beliefs, of humor and mysticism, of sadness and joy.
Altar Museum Estudio Diego Rivera like the small towns of the provinces, the majority of the residents in Mexico City prepare with anticipation to celebrate with dignity the return of the souls of the dead. In the Capital the offerings are placed in museums and galleries entrusting the work to artists that interpret different subjects or motives, in creating truly artistic designs to later expose them to an array of aromas and colors in which the flower of the season – the cempasuchitl – is the prevailing one.
It is difficult to calculate the amount of craftsmanship that is sold at different prices in Mexico City; this shows that the industry that generates the Day of the Dead is one of the most important affecting the year’s economy of the city, and at the same time demonstrates that this tradition is more alive than ever.
Paper mache calaca in what corresponds to the festive activity, besides eating the chocolate and sugar skeletons with one’s name on it, children, even adults buy toys with images of an enthusiastic skeleton made of paper mache, and jointed skeletons which dance when you pull on a string. Very few stay away from the funeral procession consisting of paper dolls with heads made of garbanzo, which move by the means of a thread, making the head come out of the coffin. The craftsman takes advantage of the opportunity to write special messages on the coffin.

From the bilingual book “Through the Eyes of the Soul Day of the Dead In Mexico - Mexico City, Mixquic and Morelos”. For information of books about this tradition, written by Mary J. Andrade, visit www.dayofthedead.com

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Thursday, November 3, 2011

The Day of The Dead II






Day of the Dead (Spanish: Día de Muertos) is a Mexican holiday celebrated throughout Mexico and around the world in many cultures. The holiday focuses on gatherings of family and friends to pray for and remember friends and family members who have died. It is particularly celebrated in Mexico, where it attains the quality of a National Holiday, and all banks are closed. The celebration takes place on November 1–2, in connection with the Catholic holidays of All Saints' Day (November 1) and All Souls' Day (November 2). Traditions connected with the holiday include building private altars honoring the deceased using sugar skulls, marigolds, and the favorite foods and beverages of the departed and visiting graves with these as gifts.
Scholars trace the origins of the modern Mexican holiday to indigenous observances dating back hundreds of years and to an Aztec festival dedicated to a goddess called Mictecacihuatl. The holiday has spread throughout the world: In Brazil, Dia de Finados is a public holiday that many Brazilians celebrate by visiting cemeteries and churches. In Spain, there are festivals and parades, and, at the end of the day, people gather at cemeteries and pray for their dead loved ones. Similar observances occur elsewhere in Europe, and similarly themed celebrations appear in many Asian and African cultures.


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Wednesday, November 2, 2011

The Day of The Dead I



 La Petite Mort


The Day of The Dead
Her face is unforgettable and she goes by many names: La Catrina, la Flaca, la Huesuda, la Pelona--Fancy Lady, Skinny, Bony, Baldy. A fixture in Mexican society, she's not some trendy fashion model, but La Muerte--Death.

Renowned writer Octavio Paz observes that, undaunted by death, the Mexican has no qualms about getting up close and personal with death, noting that he "...chases after it, mocks it, courts it, hugs it, sleeps with it; it is his favorite plaything and his most lasting love."

November 1, All Saints Day, and November 2, All Souls Day are marked throughout Mexico by a plethora of intriguing customs that vary widely according to the ethnic roots of each region. Common to all, however, are colorful adornments and lively reunions at family burial plots, the preparation of special foods, offerings laid out for the departed on commemorative altars and religious rites that are likely to include noisy fireworks.

In most localities November 1 is set aside for remembrance of deceased infants and children, often referred to as angelitos (little angels). Those who have died as adults are honored November 2.

From mid-October through the first week of November, markets and shops all over Mexico are replete with the special accouterments for the Dia de Muertos (Day of the Dead). These include all manner of skeletons and other macabre toys; intricate tissue paper cut-outs called papel picado; elaborate wreaths and crosses decorated with paper or silk flowers; candles and votive lights; and fresh seasonal flowers, particularly cempazuchiles (marigolds) and barro de obispo (cockscomb). Among the edible goodies offered are skulls, coffins and the like made from sugar, chocolate or amaranth seeds and special baked goods, notably sugary sweet rolls called pan de muerto that come in various sizes invariably topped with bits of dough shaped like bones and, in some regions, unadorned dark breads molded into humanoid figures called animas (souls). All of these goods are destined for the buyer's ofrenda de muertos (offering to the dead).  Copyright 1995 by Dale Palfrey.



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Friday, November 2, 2007

Day of The Dead


The offerings placed on the altar for Dia de los Muertos usually consist of a wash bowl, basin, razors, soap and other items the traveling spirit can use to clean-up after the journey. Pictures of the deceased are also placed on the altar as well as personal belongings for each person and any other offerings the deceased may enjoy such as a pack of cigarettes or a bottle of tequila. Candles are used to help light the way for the spirits as well as other decorative items such as papel picado (tissue paper cut-outs) wreaths, crosses and flowers. Certain Dia de los Muertos dishes are also placed on the altar to help feed and nourish the traveling souls. Some of these offerings also double as the four main elements of nature — earth, wind, water, and fire. These are represented by movable or light-weight items such as tissue paper cut-outs (wind,) a bowl of water, candles (fire) and food (crops, earth.) Chelsie Kenyon.


Gracias por su visita / Thanks for visiting.

Wednesday, October 31, 2007

Ofrenda / Offering


'Offering in the window of a library'
The offerings placed on the altar for Dia de los Muertos usually consist of a wash bowl, basin, razors, soap and other items the traveling spirit can use to clean-up after the journey. Pictures of the deceased are also placed on the altar as well as personal belongings for each person and any other offerings the deceased may enjoy such as a pack of cigarettes or a bottle of tequila. Candles are used to help light the way for the spirits as well as other decorative items such as papel picado (tissue paper cut-outs) wreaths, crosses and flowers. Certain Dia de los Muertos dishes are also placed on the altar to help feed and nourish the traveling souls. Some of these offerings also double as the four main elements of nature — earth, wind, water, and fire. These are represented by movable or light-weight items such as tissue paper cut-outs (wind,) a bowl of water, candles (fire) and food (crops, earth.) Chelsie Kenyon.


Gracias por su visita / Thanks for visiting.

Sunday, October 21, 2007

Chinelo


Figure of a Chinelo Dancer as part of an offering for the 'Day of the Dead' placed in an hospital.



In the Mexican capital, death is intellectualized in museums and galleries, it dresses up for a night gala in five stars hotels, and yet easily maintains it’s provincial air in humble neighborhoods.
Bread of the Dead because of the extension of the City, one must visit the Capital for at least two continuous years during the season of Day of the Dead, to have a more profound vision of the changes that take place in it’s inhabitants when they start preparing to celebrate this tradition, so closely tied to the soul of Mexicans.
To be born and to die is one of the dualities faced by human beings and everything that exists. This duality is the key to the Mexican idiosyncrasy, manifested in the pre-Cortez epoch and routed among the centuries in a mix of pre-Hispanic and religious beliefs, of humor and mysticism, of sadness and joy.
Altar Museum Estudio Diego Rivera like the small towns of the provinces, the majority of the residents in Mexico City prepare with anticipation to celebrate with dignity the return of the souls of the dead. In the Capital the offerings are placed in museums and galleries entrusting the work to artists that interpret different subjects or motives, in creating truly artistic designs to later expose them to an array of aromas and colors in which the flower of the season – the cempasuchitl – is the prevailing one.
It is difficult to calculate the amount of craftsmanship that is sold at different prices in Mexico City; this shows that the industry that generates the Day of the Dead is one of the most important affecting the year’s economy of the city, and at the same time demonstrates that this tradition is more alive than ever.
Paper mache calaca in what corresponds to the festive activity, besides eating the chocolate and sugar skeletons with one’s name on it, children, even adults buy toys with images of an enthusiastic skeleton made of paper mache, and jointed skeletons which dance when you pull on a string. Very few stay away from the funeral procession consisting of paper dolls with heads made of garbanzo, which move by the means of a thread, making the head come out of the coffin. The craftsman takes advantage of the opportunity to write special messages on the coffin.
Names of the members of the Linares family represent with their work what the Day of the Dead is in Mexico. The paper mache skeletons which they exhibit annually are a tradition already established in October and November of each year.

From the bilingual book “Through the Eyes of the Soul Day of the Dead In Mexico - Mexico City, Mixquic and Morelos”. For information of books about this tradition, written by Mary J. Andrade, visit www.dayofthedead.com




Gracias por su visita / Thanks for visiting.

Friday, March 2, 2007

Miniaturas Felguerez / Felguerez's Miniatures



A nice shop located in the Zona Rosa (Pink Zone) a kind of bohemian area visited by tourists, business man or just for fun, where you can buy all kind of lead miniatures, some of them are very artistic pieces, no more than 3 inches tall, like this "ofrendas" (offerings) for gift.