The Magic of the Cities.

Zen promotes the rediscovery of the obvious, which is so often lost in its familiarity and simplicity. It sees the miraculous in the common and magic in our everyday surroundings. When we are not rushed, and our minds are unclouded by conceptualizations, a veil will sometimes drop, introducing the viewer to a world unseen since childhood. ~ John Greer

Saturday, November 5, 2011

Mexico City


(View from Chapultepec Castle)
As an "alpha" global city Mexico City is one of the most important financial centers in North America. It is located in the Valley of Mexico, a large valley in the high plateaus at the center of Mexico, at an altitude of 2,240 metres (7,350 ft). The city consists of sixteen boroughs.

The 2009 estimated population for the city proper was around 8.84 million people, and has a land area of 1,485 square kilometres (573 sq mi). According to the most recent definition agreed upon by the federal and state governments, the Mexico City metropolitan area population is 21.2 million people, making it the largest metropolitan area in the western hemisphere and the fifth largest agglomeration in the world.
Mexico City has a gross domestic product (GDP) of $390 billion US$ in 2008, making Mexico City the eighth richest city in the world. The city was responsible for generating 21% of Mexico's Gross Domestic Product and the metropolitan area accounted for 34% of total national GDP.

The city was originally built on an island of Lake Texcoco by the Aztecs in 1325 as Tenochtitlan, which was almost completely destroyed in the 1521 siege of Tenochtitlan, and subsequently redesigned and rebuilt in accordance with the Spanish urban standards. In 1524, the municipality of Mexico City was established, known as México Tenochtitlán, and as of 1585 it was officially known as La Ciudad de México (Mexico City). Mexico City served as the political, administrative and financial center of a major part of the Spanish colonial empire. After independence from Spain was achieved, the Federal District was created in 1824.  [Wiki]

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Friday, November 4, 2011

The Box


Music: Invisible Lady by Charles Mingus

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Thursday, November 3, 2011

The Day of The Dead II






Day of the Dead (Spanish: Día de Muertos) is a Mexican holiday celebrated throughout Mexico and around the world in many cultures. The holiday focuses on gatherings of family and friends to pray for and remember friends and family members who have died. It is particularly celebrated in Mexico, where it attains the quality of a National Holiday, and all banks are closed. The celebration takes place on November 1–2, in connection with the Catholic holidays of All Saints' Day (November 1) and All Souls' Day (November 2). Traditions connected with the holiday include building private altars honoring the deceased using sugar skulls, marigolds, and the favorite foods and beverages of the departed and visiting graves with these as gifts.
Scholars trace the origins of the modern Mexican holiday to indigenous observances dating back hundreds of years and to an Aztec festival dedicated to a goddess called Mictecacihuatl. The holiday has spread throughout the world: In Brazil, Dia de Finados is a public holiday that many Brazilians celebrate by visiting cemeteries and churches. In Spain, there are festivals and parades, and, at the end of the day, people gather at cemeteries and pray for their dead loved ones. Similar observances occur elsewhere in Europe, and similarly themed celebrations appear in many Asian and African cultures.


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Wednesday, November 2, 2011

The Day of The Dead I



 La Petite Mort


The Day of The Dead
Her face is unforgettable and she goes by many names: La Catrina, la Flaca, la Huesuda, la Pelona--Fancy Lady, Skinny, Bony, Baldy. A fixture in Mexican society, she's not some trendy fashion model, but La Muerte--Death.

Renowned writer Octavio Paz observes that, undaunted by death, the Mexican has no qualms about getting up close and personal with death, noting that he "...chases after it, mocks it, courts it, hugs it, sleeps with it; it is his favorite plaything and his most lasting love."

November 1, All Saints Day, and November 2, All Souls Day are marked throughout Mexico by a plethora of intriguing customs that vary widely according to the ethnic roots of each region. Common to all, however, are colorful adornments and lively reunions at family burial plots, the preparation of special foods, offerings laid out for the departed on commemorative altars and religious rites that are likely to include noisy fireworks.

In most localities November 1 is set aside for remembrance of deceased infants and children, often referred to as angelitos (little angels). Those who have died as adults are honored November 2.

From mid-October through the first week of November, markets and shops all over Mexico are replete with the special accouterments for the Dia de Muertos (Day of the Dead). These include all manner of skeletons and other macabre toys; intricate tissue paper cut-outs called papel picado; elaborate wreaths and crosses decorated with paper or silk flowers; candles and votive lights; and fresh seasonal flowers, particularly cempazuchiles (marigolds) and barro de obispo (cockscomb). Among the edible goodies offered are skulls, coffins and the like made from sugar, chocolate or amaranth seeds and special baked goods, notably sugary sweet rolls called pan de muerto that come in various sizes invariably topped with bits of dough shaped like bones and, in some regions, unadorned dark breads molded into humanoid figures called animas (souls). All of these goods are destined for the buyer's ofrenda de muertos (offering to the dead).  Copyright 1995 by Dale Palfrey.



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Tuesday, November 1, 2011

November 2011 Theme Day: Fences


Caminos de lo Sagrado (Sacred Paths)
Queretaro Tri Cultural Patrimony of The Humanity -
120 Photo exhibition at The Open Gallery of The Chapultepec Park Fence. Curator: Gonzalo Infante.



Click here to view thumbnails for all participants

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Monday, October 31, 2011

La Catrina


Mexican Handcrafts of Guanajuato. Mexico
Popularized by José Guadalupe Posada, this Catrina is the skeleton of an upper class woman with large breasts and one of the most popular figures of the Day of the Dead celebrations, which occur during two days, November 1 and November 2, corresponding with the Catholic holy days of All Saints Day and All Souls Day. Although these holy days have a long cultural history reaching into the prehistoric traditions of several European cultures, many aspects of the Mexican festival have indigenous origins in an Aztec festival dedicated to the goddess Mictecacihuatl. After the conquest of Mexico, the Spanish superimposed their cultural traditions upon the similar Aztec festival and a synthesis occurred.
La Catrina, as it is commonly known, was a popular print in Posada's day, but soon faded from the popular memory. Along with the rest of Posada's prints, it was revived by French artist and art historian Jean Charlot shortly after the Mexican Revolution in the 1920s. La Catrina soon gained iconic status as a symbol of uniquely Mexican art and was reproduced en masse.
The image was incorporated into Diego Rivera's mural Dream of a Sunday in Alameda Park, which also includes images of his wife Frida Kahlo, Posada, and a self-portrait of Rivera. 

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Sunday, October 30, 2011

Quinceañera


(Celebration Photo)  
Quinceañera (lit. meaning One (f.) who is fifteen), sometimes called Fiesta de Quinceañera, or simply quince, is the celebration of a girl's fifteenth birthday in parts of Latin America and elsewhere in communities of immigrants from Latin America. This birthday is celebrated differently from any other birthday, as it marks the transition from childhood to young womanhood.
In Mexico, the birthday girl is fixed up with fancy makeup. Traditionally, this was the first time she would wear makeup, but more recently this is no longer the case. She also has her nails and hair done especially for this occasion and dresses up with a fancy dress that she had chosen in advance.
In the Mexican tradition - and if the teenager is Catholic - the quinceañera festival begins with a Thanksgiving mass. For this mass, the teenager wears a formal dress, usually quite creative in fashion and reminiscent of what a western bride or princess would wear. Traditionally, the quinceañera would wear a pink dress to symbolize her purity; however, in recent decades, white has become the color of choice to symbolize this treasured quality.
She arrives at the celebration accompanied by her parents, godparents, damas, and chamberlains. She is also awarded a tiara as a reminder that to her loved ones, especially her immediate family, she will always be a princess. [Wiki]

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Saturday, October 29, 2011

The Swing of Life




Zen and the Art of Photography

Driven by a passion for photography and a fascination with the Zen Buddhist
philosophy, the author conceptually and experientially examines the relationship
between Zen Buddhism and the art of photography. 
Among the subjects discussed:
What is the relationship between haiku and photography? 
What is the relationship between the mind of the photographer while creating a photograph 
and the Zen concept of the Empty Mind? 
What role does intuition and feeling play in
photography? 
In Zen? 
Through examination of these concepts and relationships,
the author explains the heightened awareness, joy, and enlightenment he has
experienced through photography and suggests ways that others may share in
the creative process.

Wayne Rowe. California State Polytechnic University, Pomona


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Friday, October 28, 2011

Solar Dance


When it is dark enough, you can see the stars.
~Ralph Waldo Emerson

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