The Magic of the Cities.

Zen promotes the rediscovery of the obvious, which is so often lost in its familiarity and simplicity. It sees the miraculous in the common and magic in our everyday surroundings. When we are not rushed, and our minds are unclouded by conceptualizations, a veil will sometimes drop, introducing the viewer to a world unseen since childhood. ~ John Greer

Monday, August 20, 2012

West Hills Woods



Mexico City Woods : Desierto de los Leones
Desierto de los Leones (Desert of the Lions) National Park is located in the Sierra de las Cruces mountain range west of the city center with an area of 1,867 hectares, representing fifteen percent of the entire Valley of Mexico. The area was used as a retreat for a religious group, thus the name Desierto (Desert) means not "arid place", but not populated. The "Leones" part of the name does not refer to the animals, but rather to the original landlord's lastname.

The park's altitude varies between 2,600 and 3,700 meters above sea level, giving the area a relatively cold and damp climate. It is a forested area primarily with pines, oyamel firs and holm oaks with many brooks, ravines and waterfalls. The park is considered to be the oldest protected biosphere in Mexico.

The park's name, Desierto de los Leones, is largely due to the Carmelite monastery situated just north of its center. Carmelite monks called their residences “deserts”. But the exact origin of “de los Leones” is not known. The first monastery complex was constructed between 1606 and 1611. By 1711, this structure had deteriorated greatly. It was demolished and a new one was built in its place adjoining just south of the original complex.

By the end of the 18th century, the cold, damp weather and increasingly frequent visitors forced the monks to move their monastery to Tenancingo in 1801. The monastery was declared a national monument on 16 May 1937. The 18th-century structure has a number of areas that have been restored and opened to the public. In addition to the old monastery, the park attracts visitors for the nature that surrounds the complex. The park offers activities such as day camping, overnight camping, hiking, and mountain biking. [Wiki]

More images of this beautiful place : Desierto de los Leones I - Desierto de los Leones II and Summertime   and Summertime II

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Sunday, August 19, 2012

El Caballito

(iPhoneography)

Horse Head or The Little Horse (sculpture by Sebastian)
In the background Caballito Tower - SAT Office (IRS) [Taxes Office]



Sebastián (born Enrique Carbajal on November 16, 1947) is an artist based in Mexico, and is considered the country's foremost living sculptor. His smaller scale work includes jewelry, sacristies, garden sculptures, and painting. However, he is most known for his monumental structures constructed in iron or concrete, which decorate cities throughout the world, from San Antonio, Texas to Osaka, Japan.

Sebastián was born in the small town of Santa Rosalía de Camargo, Chihuahua, Mexico on November 16, 1947. He lived in Chihuahua until he began studying in the Academia de San Carlos in Mexico City in 1964.
When studying in Mexico City, he survived by working at restaurants and buying clothing to sell it for a profit in Chihuahua. He studied in the Escuela Nacional de Artes Plásticas (National School of Plastic Arts) at the Universidad Nacional Autónoma de México (UNAM). Persisting with deep appreciation for Henry Moore and Pablo Picasso, he won first place in the 1965 Annual Exposition of the National Plastic Arts School at UNAM.
In 1968 Sebastián had his own show featuring his ceramic work in the Museum of Art of Ciudad Juárez. After completing his formal studies he continued his work with short-lived schools and movements such as the "Salon Independiente". He put on his second individual exposition, where he displayed ostensibly simple paper carton works that he called "desplegables" (folders). These seemingly small works became the base of ideas for his later monumental works made with tons of iron and concrete.  [Wiki]

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Friday, August 17, 2012

Moon Hooch I

Wenzl McGown and Mike Wilbur, saxophones; James Muschler, drums.
Spawned from New York City’s subways in 2010, the busking trio Moon Hooch seamlessly blends house, dubstep, drum & bass and jazz into a style aptly coined “Cave music.” Moon Hooch creates frenzied foot-stomping bashes with nothing more than two saxophones, drums, and the occasional contrabass clarinet. Their self-funded, self-released debut album ratifies the wild praise heaped upon them by a dedicated–and rapidly growing–following. [Discover Jazz]

THE CURRENT CHALLENGE
Fri Aug 17, 2012
This week's challenge:
'Summer Colors'.

-   Take 5 and Enjoy!   -

⇑ - Soon...  a video of that great session! - 06/28/2012 - ⇓


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Thursday, August 16, 2012

Liquid Eyes

Memory demands an image.  ~ Bertrand Arthur William Russell

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Wednesday, August 15, 2012

The Triumph of Marius


The Triumph of Marius
Giovanni Battista Tiepolo  (Italian, Venice 1696–1770 Madrid)
Date: 1729.  Medium: Oil on canvas. Dimensions: Irregular painted surface, 220 x 128 5/8 in. (558.8 x 326.7 cm)

The subject of this triumphal procession is identified by a Latin inscription at the top of the canvas from the Roman historian Lucius Anneus Florus (Epitome of Roman History, 36:17): "The Roman people behold Jugurtha laden with chains." The African king Jugurtha is shown descending a hill before his captor, the Roman general Gaius Marius. A youth beats a tambourine while other figures carry booty, including a bust of the mother goddess Cybele. The thirty-year-old Tiepolo included his portrait among the figures at the left. The procession was held on January 1, 104 B.C.

The picture—a masterpiece of Tiepolo's early maturity—is from a series of ten canvases painted about 1725–29 to decorate the main room of the Ca' Dolfin, Venice. [The Metropolitan Museum of  Art]



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